Ana Valquaresma (1996) is a provincial artist, either by atavism or vocation.

Her artistic practice seeks to exhaust as many procedural directions as possible, using the two- and the three-dimensional, in a chained process that is developed by what it generates. Thus, through techniques attributed to different fields, such as drawing, weaving, sculpture and ceramics, her projects emerge in a rhizomatic and hypertextual relationship, circling around what is peripheral and thought to be banal, restoring its relevance.